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CONTACT WGI

WGI Sport of the Arts
2405 Crosspointe Drive
Dayton, Ohio 45342

Phone (937) 247-5919
Fax (937) 247-9212
Ticket Line (866) 589-7161

Copyright Information

  • Color Guard
  • Percussion

Please note the requirements are different for percussion. To see percussion information click here.

Please read carefully.

Below is a list of guidelines and deadlines each unit MUST comply with in order to compete at WGI World Championships and Power Regionals. Units that do not meet these requirements will not be permitted to participate.

Step by Step

  1. While selecting a show, please refer to the Additional Requirements List. This can help your unit avoid problem music. This list includes music which has a history of licensing problems. These compositions have specific requirements in order to be used at the WGI Power Reigonals and/or World Championships. Units using music on this list that do not meet these requirements WILL NOT be permitted to participate.
  2. Send a Synchronization Letter to the composition copyright holder. These letters will help you discover problem music before you begin your season. The industry standard response time is 3 months so start early! These letters are not required to be
    turned into WGI
    , but it is a highly suggested way to avoid complications later in the season. Please keep a copy of any communications your unit has with copyright owners.
  3. Submit your Music Licensing Information online before December 1st. Log-in to the directors only website and complete Music Licensing Information under the manage units section.
  4. If your unit is using music on the Additional Requirements list:

        January 15 - Proof of Synchronization Permission must be submitted for any performance to music listed in the Additional Requirements List. Without this supporting documentation, performance will be denied and entry fees forfeited.

        January 15 - A $250.00 fixing fee will be charged for any unit using a song listed in the FIXING FEE section of the Additional Requirements List. Without this supporting documentation, performance will be denied and entry fees forfeited.

The following resources will help you with this process:

  • FAQ
  • Additional Requirements List
  • Synch Letter
  • WGI Original Composition Form
  • Copyright Helpful Links

FAQ

Visual Arts / Spoken Word / Literary Copyrights

Written works and visual pieces of art contain the same copyrights. You should also exercise care to ensure that you have permission to use any copyrighted visual images in your show. The general rule is, "when in doubt, seek permission."

How do I determine the musical composition copyright holder?

Composition copyrights are typically managed by music publishers. The music publisher may be the owner of the copyright, or may simply be an agent designated by the author to handle permission requests. To identify the music publisher(s) for a particular song, you should first consult a CD that contains the song. Some CDs will identify the music publisher by name. Others will contain a notation identifying a performing rights society (ASCAP, BMI or SESAC) that the song is associated with. Using this information and consulting a few databases on the Internet, you should be able to come up with the name and contact information for the music publisher. If the CD identifies the performing rights society (ASCAP, BMI or SESAC), you can go to the web site for the appropriate society and search the database to find the music publisher(s). Searching for the song title in the databases should give you at least the name of the music publisher, and will usually give you both the name and contact information. Do not send your information to ASCAP OR BMI. They DO NOT grant permissions. BMI and ASCAP are used as sources to determine the "Original Copyright Holder." and publisher information.

If you are unable to find any mention of the music publisher or a performing rights society on the CD, you should still be able to find the publisher in the performing rights society databases. Simply enter the song title in all three databases and look for the correct match. If the CD identifies the music publisher, you can go to the web site of the Music Publishers' Association, www.mpa.org, and search the database for the publisher's address and other contact information. Not all publishers are listed in the MPA directory, however. If the publisher is not listed, you should be able to find it through the performing rights society databases. In the event that you are unable to locate the copyright owner using these tools, you can attempt to locate the copyright owner by searching the records of the Copyright Office. The records can be accessed by going to www.copyright.gov and following the "Search Copyright Records" link. In reading the record, make sure you look for the copyright claimant, who may or may not be the author. The copyright claimant is the one with authority to grant permission to use the work.

Finally, you should be aware that there is often more than one music publisher for a particular song. In cases where more than one publisher is listed, permission should be requested from each publisher in order to make sure that you have all the permissions necessary to use the composition.

How do I determine the CD recording company?

The recording company which manufactured the CD you purchased will be listed on the CD packaging. Often it will include a mailing address with the name of the company.

Following Up on a Letter

It is possible that you will get a quick reply to your letter regarding Synchronization licensing. However, if some time passes after you send in the initial letter, you may want to think about following up on the request, to make sure it was not lost or forgotten. A good time for a first follow up is about a month after the initial request is sent in. The first follow up could include a copy of your initial request, with a cover letter indicating that you have not yet heard back from the owner regarding your request. If you have a fax number or e-mail address for the owner, you may wish to fax or e-mail the follow up request, and send a confirmation via regular mail. If you receive no response to your first follow up after two or three weeks, you can make another attempt to contact the owner. Again, we recommend that you continue to use some form of written communication (post, fax, e-mail) through at least this stage in the process. If another couple of weeks pass without any response, you can try contacting the owner directly by phone, if you have a phone number for the owner. You may also wish to accelerate the pace at which you follow up, contacting the owner on a weekly basis if you have not yet received a response.

 

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